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Archive for the tag “Paramount Pictures”

Boop Boop Be Doop!

This week on the New World Next Week:

  • The United States withdraws from some of the worst examples of United Nations’ globalist scam, ending its funding and support for 66 organizations, such as the Intergovernmental Panel on Climate Change (IPCC) and the United Nations’ Population Fund, which had been pushing to curb child births and growth;
  • Betty Boop enters the public domain;
  • And the United Kingdom backs down on digital ID…for now.

Here’s more from The Corbett Report and Media Monarchy.

And, just for old time’s sake, here’s a stroll down memory lane with the Immortal Mz. Betty Boop. She appeared in 90 theatrical cartoons between 1930 and 1939, designed by Grim Natwick and crafted by a team of cartoonists run by Max Fleischer for Paramount Pictures.

The earlier entries were more scandalous because Hollywood didn’t have its full censorship offices in place until the middle of the 1930s. Here’s one of those early-day Betty Boop cartoons — Dizzy Red Riding-Hood from 1931.

Trapped By Loki

Hey kids (of all ages), it’s Saturday Morning Cartoon time again!

A couple weeks ago we covered the not-so-jolly green giant’s animated debut. But he wasn’t alone. Marvel’s other popular superguys were part of the wheel show. Including fellow Avenger, Thor.

I suppose you can only have just so many comic book heroes get their powers by alien origin, Mystical Eastern training, science accidents, or super-tech before it dawns on writers to say “Screw it! Let’s just recruit mythical gods!”

The Norse god of thunder was well suited for the gig, and had already been used in DC comics back in the ’50s. Marvel’s version traded in the traditional red beard for a clean-shaven fellow with blonde locks, but kept the mythical backstory for the most part.

Still, superheroes of the era had to have a wimpy alter ego and some sort of weakness. In this case, the awesome immortal’s other self was a lame (literally) Dr. Donald Blake. Not only did Thor have to live as Blake when not saving the day, but he would involuntarily revert into that mortal form whenever Thor was separated from his signature war hammer for over sixty seconds!

Of course, he also got an ersatz Lois Lame (figuratively). We’ll not go into what has happened with her in our current, godforsaken, woke era!

Several attempts at live-action TV series starring Marvel characters were made in the 1970s. But Thor didn’t get a shot then. The only one of the bunch who really made it was the HULK. TV movie follow-ups to his series beginning in the late 1980s were used as tryouts for other Marvel characters, starting with Thor. Like the Hulk, he was considerably different from his four-color print incarnation. Unlike Ol’ Greenskin, his TV version didn’t succeed and was never heard from again.

He has, however, been a smashing success in the current MCU live-action blockbuster movies. But his on-screen career started with these humble, barely animated adventures. Lifted pretty much directly from JOURNEY INTO MYSTERY comics, and produced by what was left of the old Paramount unit that did the theatrical POPEYE shorts, as well as some of the King Features TV output.

From 1966. More from The OldHorseman.

Popeye The Sailor Revived

The Cartoon Renewal Studios has restored, remastered and colorized the 1937 two-reel cartoon Popeye The Sailor Meets Ali Baba’s Forty Thieves. Watch as Popeye, accompanied by Olive Oyl and Wimpy, challenge the dreaded Abu Hassan and his force of forty thieves.

Some will complain and rage over the colorized processing, but the sad fact is: Most kids nowadays will never watch black and white cartoons. So if you want younger viewers to see these classic works, they’ve got to not only be restored to improve their quality but also colorized.

The work here is pretty dang sweet! This vintage Fleischer Studios cartoon, originally distributed by Paramount Pictures, springs back to life! Direction is by Dave Fleischer, with Jack Mercer supplying vocals for Popeye and Mae Questal for Olive Oyl.

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Swamp Fire

Today’s Trillion $ Movie, Swamp Fire, pits two screen Tarzans — Johnny Weissmuller and Buster Crabbe — as Cajun rivals vying for the affections of the same girl (played by Carol Thurston) in the Louisiana Bayou. Crabbe plays the villainous heavy, while Weissmuller is the neurotic hero. He’s a veteran returned from service in WWII, damaged by having lost a ship he skippered.

This low-budget, 1946 meller-drama was the first time Weissmuller ever played a role where he got to wear civilian clothes as opposed to a loin cloth, and also the first time he had full lines of dialogue to recite. He needed the breather from playing Tarzan. By this point in his career, Weissmuller was beginning to hit the bourbon hard — a trait that might make him believable as a Cajun, but less so as the ape-man Tarzan.

Removed from the jungle or not, he still wrestles an alligator, engages in fisticuffs with Crabbe, smooches a couple of hotties, saves the day during a shipwreck and battles a monstrous swamp fire. There’s more than enough back-story and action to make this a decent-enough, solid B-movie. There’s even a lively cat fight between Thurston (later seen with Weissmuller in Jungle Jim) and a rich dame (Virginia Grey) making goo-goo eyes at her man. Paramount Pictures distributed the 69-minute feature, but the two Dollar Bills — William H. Pine and William C. Thomas — created it on Hollywood’s Poverty Row.

Enjoy, and do return again next Friday for another Trillion $ Movie from the vaults of YouTube.

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