David Ellison, chairman and chief executive officer of Paramount, says the only reason leftists in California and elsewhere are giving him pushback over the proposed Warner Brothers merger is because CNN is involved.
The Commies fear CNN might be directed to do some honest reporting as opposed to just more leftist broadsides. Maybe CNN could even be downsized or spung off — sold for peanuts on the dollar. Here’s more from Clownfish TV.
Christopher Nolan’s The Odyssey has come under fire from historians and online critics for one unforgivable historical inaccuracy: Turning the famous large wooden rabbit into a horse.
Viewers and scholars are demanding answers. Why replace the historically accurate Trojan Rabbit with a horse? Is this Hollywood revisionism? Artistic license gone too far? Or just another case of studios refusing to respect ancient source material? Here’s more from The Babylon Bee.
Bridget Phetasy went and saw Christopher Nolan’s The Odyssey this weekend and has a confession to make — she loved it. Zero pee breaks in a nearly three-hour movie. That’s the highest rating she can give.
She breaks down why the culture war around the casting is an idiotic hill to die on, and why the actual controversy nobody’s talking about is 70mm IMAX privilege. That’s what’s really pissing off the white dudes. Here’s more from Phetasy in a new edition of The Dumpster Fire.
Anne Hathaway, the deluded star from The Odyssey, rips into straight, white men in a dumb speech she gave back in 2018.
Following the success of the film, the speech has resurfaced on the Internet, generating widespread controversy.
How can Hollywood continue to offend and piss off half its audience. Will these clucking leftists ever learn? Here’s more from The Salty Cracker.
California keeps adding new tax credits for film shoots, but production continues to plummet.
Are we on the cusp of witnessing doomsday for Hollywood? How will the Warner Brothers and Paramount merger affect the scene? Here’s more from Clownfish TV.
Dirty Dancing was a huge hit when it came out. Everyone remembers the fun and the dancing. It also has a botched, back-alley abortion, a 25-year-old male prostitute dancing with a 17-year-old, and a dad who was completely right the whole time.
Bridget Phetasy rewatches the 1987 classic and breaks down why the movie is genuinely insane, why nobody noticed because there was dancing, and why the only reason it became legendary is that the Lift at the end made everyone forget everything else. Nobody remembers the abortion. Here’s more from Phetasy’s latest edition of The Dumpster Fire.
Listen as the Hollywood leftoid Richard Gere tries to shame ignorant voters and persuade them that USAIDs was something good and altruistic. USAIDs was more like a tool used by the CIA to control nations abroad and cripple dissent at home.
Mike Benz, director of the Foundation for Freedom Online , explains the many nuances that Gere glosses over. Here’s more from the Liberal Hivemind.
Jay Dyer on the Tucker Carlson Show talks about Demonic influence on Hollywood, the world, Oppenheimer, cults and the unknown.
It’s a wide-ranging discussion, touching upon yoga, Helena Blavatsky and tantric Buddhism as well as Aleister Crowley and Jack Parsons.
In this episode of the Hidden History series, I sit down with researcher and filmmaker Matthew Ehret to expose the hidden agenda behind the alien disclosure push, and why it might be the biggest tool ever built to replace Christianity.
We trace the occult roots behind today’s UFO narratives through Project Blue Beam, Operation Phoenix, and CIA mind control programs like MKUltra, all the way back to a Luciferian doctrine that’s been rebranding itself for over a century.
Once you see the pattern, you won’t watch another “disclosure” headline the same way again. Here’s more from Seth Holehouse on Man In America.
The California Attorney General’s Office is trying t block the merger of Paramount and Warner Brothers. The lawyers from the state Attorney General’s Office never squawked once when leftist outfits like Walt Disney Co. bought new companies and consolidated to become larger, merged entities. But now there are objections, presumably instigated by the myriad of leftists in Hollywood.
Are they afraid of losing California-based jobs? Or is this meddlesome needling more about protecting frontline fake news outlets like CNN?
The leftists keep going crazy because they are losing their clout. Their outreach and control continues to diminish. Here’s more from Clownfish TV.
