Call Me Stormy

Finding righteous currents in turbulent times

Archive for the tag “Columbia Pictures”

Deep State Female Targets

Dark Journalist Daniel Liszt explores the Deep State assassination of Vicki Morgan on July 7, 1983 in Los Angeles, California. Morgan, a voluptuous model, had been the backdoor mistress of Alfred S. Bloomingdale, the heir to the Bloomingdale’s Department Store fortune.

Bloomingdale has been called “the father of the credit card,” as he developed the Diner’s Club card. He also was a major player in Hollywood, first serving as an agent for Frank Sinatra and Judy Garland, and later working as an executive at Columbia Pictures. In addition, he was perhaps the biggest donor on record to Ronald Reagan in his gubernatorial races in California as well as his Presidential races, notably his successful defeat of Jimmy Carter in 1980.

But Bloomingdale had many dirty secret habits. He not only kept Morgan as his mistress, but involved her in brutal sadomasochistic practices. He liked to pick up prostitutes as well as models or actresses for short flings. Sometimes, he administered severe beatings to these women.

After he died of throat cancer in 1982, Morgan insisted upon a monthly “palimony”  allowance of $18,000 he had promised her. His wife, Betsy, objected and cut Morgan off. A courtroom fight ensued, ending with her subsequent murder.

This is a fascinating case. It involves super-rich players in sadistic games of sex and criminality high up in Hollywood and political circles. Much of what we know about Bloomingdale mirrors the sordid and skankier affairs of Jeffrey Epstein.

This is a 3-hour-plus dive, so it might take you a couple of settings to digest it all. There is a short technical blackout at the front. If you want to bypass the snafu, start at the 7:00 minute mark.

https://www.bitchute.com/video/5T5HQmrpttxX/

The Terror of Tiny Town

This week’s Trillion $ Movie, The Terror of Tiny Town, was billed as Hollywood’s first all-midget, musical Western upon its release in 1938. To this day, it remains the one and only example of the genre. Tiny Town came out under the imprimatur of the low-budget Spectrum Pictures Corporation, but Columbia Pictures subsequently picked up the title to fulfill the production quota it had promised to exhibitors.

Producer Jed Buell bought into the concept, having made Hollywood’s first all-black, feature-length Western, Harlem on the Prairie, in 1937. After deciding to cast only midgets for his next novelty picture, he assembled a troupe of players that reportedly boasted an average height of 3 feet, 8 inches. Most of them had never appeared in a movie before, which is glaringly obvious from their clumsy and stilted line readings. But the experience would serve them well, as a year later, many of these same cast members got the call from MGM to flesh out roles as Munchkins in The Wizard of Oz.

Except for the pint-sized players, Tiny Town covers familiar Western turf. A gang of cattle rustlers, bushwhackers and murderers has pitted ranchers against each other in a Dry Gulch town. But the black-hatted villains don’t reckon on the heroics of Buck Lawson, a working cowpoke who rides around on a Shetland pony, lassos calves and easily saunters into the local saloon by walking under the swinging doors. Buck has a star-crossed love interest, and also inspires palpitations on the part of barroom chanteuse Nita, a sultry heartthrob inspired by Marlene Dietrich.

This isn’t a film that will set the prairie on fire, but it’s certainly distinctive, short (pun intended), moves quickly and has enough comic interludes (including a singalong with a penguin) to justify its marketing as “a rollickin’, rootin’, tootin’, shootin’ drama of the great outdoors.” In a week when the news has been dominated by debate over a politically incorrect, low-budget movie on YouTube, it’s rather apropos to resurrect The Terror of Tiny Town and celebrate the God-given, American freedom to create offensively bad movies. Enjoy and return next Friday for another Trillion $ Movie.

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Superman Comes to Earth

Today, we launch a new Saturday Matinee series on Call Me Stormy. Once a week, every Saturday, we’ll present a short and sweet chapter from one of the classic matinee serials — B-Westerns, jungle adventures, Spy vs. Spy, crime mellers, outer space operas or something else worth your while — to help kick off the weekend in style. Where possible, we’ll run these original serials in full, presenting a new chapter each week until they’ve reached their cliff-hanging conclusion.

First up, Superman Comes to Earth, the original screen appearance by the Man of Steel. Columbia Pictures created this chapter as part of a 15-episode, black-and-white serial that played theatrically in 1948, usually on Saturdays.  Kirk Alyn appears as Clark Kent/Superman and Noel Neill as Lois Lane. One of the co-directors, Thomas Carr, later helmed many of the Superman TV shows.

 

 

 

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