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Archive for the tag “vintage sci-fi”

Godzilla Against Mechagodzilla

Later today, we’ll be launching a new, month-long series — Know Your Monster — celebrating Japan’s fantastic movie monsters. Each day through March, we’ll present a clip introducing a new monster wreaking havoc and destruction, often upon Tokyo, but sometimes on a global scale. To kick off this series in style, today’s Trillion Dollar Movie revolves around the granddaddy of all Japanese movie monsters, Godzilla or Gojira. Our feature is Godzilla Against Mechagodzilla, the 14th movie in the Godzilla franchise, released in Japan in 1974 and three years later in the United States. It’s one of the better Godzilla sequels, popular enough that it spun off its own sequel (The Terror of Mechagodzilla) and a couple of remakes.

Stateside, it was originally called Godzilla Vs. the Bionic Monster to capitalize on the popularity at that time of The Six Million Dollar Man and The Bionic Woman.  But when the producers of those TV shows objected, the Bionic Monster was rechristened Mechagodzilla. He’s a titanium robot fascimile of the real Godzilla, under the power of mysterious space aliens intent on conquering the Earth. Just where do they originate? Their commander spills the beans, declaring he’s from “the Third Planet of the Black Hole.” They look humanoid, but kill them and they turn into monkeys, a ruse no doubt inspired by Planet of the Apes.

In a bit of a plot twist for the series, Godzilla isn’t a holy terror but rather the Earth’s savior, called upon to whip Mecha’s butt. Godzilla has a bizarre ally, a giant Pekinese dog named King Seesar. There’s also a fetching lady archaeologist who wears short skirts and go-go boots on the job. Now, that a fashion maven! While the dialogue is silly and the dubbing hilariously weird, the action is fast-paced and often spectacular, especially the final grudge-match between Godzilla and his nemesis from outer space. Enjoy, and do return again next Friday for another Trillion $ Movie.

(EDITOR’S NOTE: This one is no longer available free online so we bring you a good clip collection of Mechagodzilla.)

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Star Wars — The Musical

With a helping hand from the Disney princesses, J.J. Abrams pumps up Darth Vader for Star Wars: Episode 7. But first, J.J. has to get over his Star Trek hang-ups. H/T AVByte

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Prehistoric Women

They might contain more smoke-and-mirrors special effects, but today’s theatrical trailers for movies don’t hold a candle to those from the 1950s and 1960s. Take this original trailer for Prehistoric Women, the 1967 action-adventure starring Martine Beswick as the comely, but cruel leader of a tribe of warrior women, living deep in the jungle — without men.  Released by Britain’s Hammer Films as part of its unofficial “fur bikini” trilogy, the picture was a companion piece to One Million Years B.C. (1966) and When Dinosaurs Ruled the Earth (1970).

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Robot Boogie

A robot mix from Eclectic Method. Bidi bidi bidi bidi.

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L’Infernal Contorsionniste

Here’s a rarity — a 9.5 mm film made in France during the silent era and tinted red to reflect the subject in the spotlight, a contortionist from the Lower Depths, showing off his elastic moves. Many 35 mm movies were tinted in that era, but the process was seldom used with smaller gauge films. The archives, Unknown Cinema, unearthed this gem.

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Go! Girl! Go! — Cuarenta

Astronauts from Earth land on the 13th moon of Jupiter and discover it inhabited by a bevy of nubile, men-hungry, young women in Fire Maidens of Outer Space. The women, it turns out, are transplants from the lost continent of Atlantis! This 1956 entry from Great Britain was but one of many B-grade sci-fi movies that conjured up Amazonian colonies existing beyond the Stratosphere. Other examples of this sub-genre: Cat-Women of the Moon, Queen of Outer Space and Voyage to the Planet of Prehistoric Women.

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Dr. Cyclops

The team behind King Kong, director Ernest Schoedsack and producer Merian C. Cooper, reassembled seven years later in 1940 to create today’s Trillion Dollar Movie, Dr. Cyclops. This is another tale of adventure in a far-off jungle setting, only instead of dinosaurs and king-sized apes, Dr. Cyclops explores the opposite end of the spectrum. It introduces a bald, brainy, but completely mad scientist who has devised a radium-powered beam that can shrink living creatures into Lilliputians. From his laboratory hidden away deep in the Amazonian jungles of Peru, the not-so-good doctor, Thorkel, has progressed from shrinking cats and dogs to trying out his beam on horses. Now, does he dare begin to experiment on human beings?

But, of course he does. His victims — er, subjects — include his servant Pedro, a prospector searching for the radium mine and three fellow scientists who make the mistake of traveling 10,000 miles to answer Dr. Thorkel’s request for a little lab assistance. It’s these scientists who come to dub him “Cyclops,” not only because he towers over them after they’ve been miniaturized, but also because he wears Coke-bottle eyeglasses to compensate for his poor vision.

Dr. Cyclops wasn’t the first film of its kind. That distinction belongs to Devil-Doll, the 1936 melodrama starring Lionel Barrymore as an escaped convict who uses miniaturized people to torment his enemies. Dr. Cyclops also isn’t as action-packed or as philosophically resonant as a movie that came later, 1957’s The Incredible Shrinking Man. Still, Dr. Cyclops is well worth-watching if for no other reason than Albert Dekker’s idiosyncratic portrayal of the mad scientist. He is a most sinister man but also strangely someone who arouses our sympathies.

The film looks like a comic book that’s sprung to life, having been shot in Technicolor, a rarity for sci-fi movies in the 1940s, or the 1950s for that matter. The special effects also are quite good, considering everything is achieved through trick photography –split-screens, matte work and scaled-down sets — as this was made well before the advent of CGI. None of the miniaturized humans face any foe as scary as the spider that battles Grant Williams, playing the diminutive hero of The Incredible Shrinking Man. But they must outwit a gargantuan crocodile, a voraciously hungry cat and a pesky dog, besides the bellicose Dr. Cyclops.

Hope you enjoy, and do return again next Friday for another Trillion $ Movie.

 

Superman, The Payoff

We bid adieu to Superman today with The Payoff, the 15th and concluding chapter in our 15-part presentation of the original 1948 Columbia Pictures’ black & white series that introduced the Man of Steel to the Silver Screen. Join us next week as we launch a new Saturday Matinee series, Manhunt on Mystery Island, the 1945 Republic Pictures serial that served as an inspiration to Steven Spielberg’s Indiana Jones movies.

 

 

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Superman at Bay!

Superman at Bay!, Chapter 14, in the 15-part black & white series that introduced Superman to the screen in 1948. Visit again next Saturday for Chapter 15, the concluding episode in this series, The Payoff.

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Hurled to Destruction

Hurled to Destruction, Chapter 13, in the 15-part black & white series that introduced Superman to the screen in 1948. Visit again next Saturday for Chapter 14, Superman at Bay!

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