Has anyone else noticed how Nancy Pelosi seems to be disintegrating before our eyes? She’s never been especially logical or believable. We all remember her practically bragging about the baldfaced lies she tells. But when someone swaps lies for so long, don’t they start to melt away! Soon, the fumes could rise off her desiccating body. Just like the Wicked Witch of the West in The Wizard of Oz. More from McAllister TV.
YouTube began its blatant censorship campaign earlier this week by banning Owen Benjamin outright. Who’s Owen Benjamin? One of the few conservatives working in Hollywood. He’s not only an actor but also a touring standup comedian.
We’ve run some of his work — not a lot, but every once in awhile. But now that he’s been stigmatized by the gutless and brainless Liberals, we’ll try to showcase him a little more often. While his channel is gone from YouTube, he’s still posting at Bitchute.
Today we offer his analysis of Hollywood’s treatment of the Frank Baum novel The Wizard of Oz. Did you know the book, written in the 1890s, is actually an economic critique? Dorothy did not wear ruby slippers, but silver ones as she walked along the golden way in Oz. The witches represented the billionaire robber barons, like J.P. Morgan, the Rockefellers and Rothschilds. Watch and learn.
Why do Satanists like to wear red shoes?
If you think it’s because Satan is usually depicted as a red creature, you’d be partially right. But red shoes also are worn because these Satanists practice cannibalism. They will sacrifice young children and eat their flesh as well as their adrenochrome.
Adrenochrome is a compound released by the adrenal gland that some believe can prolong youth. It is also a drug that has some hallucinogenic powers, like psilocybin, so users often imbibe at weekend parties with their friends.
If children are to be maimed and murdered to obtain their flesh and their adrenochrome, the perpetrators will wear red shoes so the spilled blood does not show up on their footwear. The blood blends right in with the flashy coloring.
Don’t believe us?
Take a look at the crowd that gathers to celebrate the 72nd birthday party of Tony Podesta. He is formerly one of Washington’s top lobbyists and the brother of John Podesta, who ran Hillary Clinton’s unsuccessful presidential campaign.
Tony Podesta is an avid art collector. One of his favored artists is Biljana Djurdjevic, a Serbian painter who has done many scenes of children — bound and gagged, often hanging. Here is one such painting. Note that all of the children are also wearing red shoes.
Some have speculated these are children who have been gathered together ahead of a Satanic sacrifice. Where are these children? Apparently near a bath house or a swimming pool.
Want to see more of Tony Podesta’s art? Here’s a short video that surveys his collection, including a sculpture inspired by the serial killer Jeffrey Daumer.
https://www.bitchute.com/video/tXOO9xLOYMeT/
And, here’s a recent video by McAllisterTV, that explores the perverted fascination with red shoes, going back at least as far as The Wizard of Oz, in which Dorothy needed to click her red slippers to return to Kansas.
Is Tony Podesta the only fan of red shoes? Hardly. Here are some others. We begin with Alex Soros, the son of the Democratic Party’s biggest donor, George Soros, flashing his red shoes at a Marina Abramowic Spirit Cooking dinner in New York.
Here is John Waters at the 2013 Independent Spirit Awards in Los Angeles.
Here is Marina Abramovic herself, all in red, from head to toe. Blood is so central to her art and her story.
Margaret Hamilton, who played The Wicked Witch in The Wizard of Oz, visits Mister Rogers’ Neighborhood. She appeared on the show in 1975, explaining to children that she was only playing a role and showed how putting on a costume “transformed” her into the witch. She also made personal appearances, and Hamilton described the children’s usual reaction to her portrayal of the Witch.
(EDITOR’S NOTE: The Mister Rogers Neighborhood interview has vanished, so we bring you a few other Margaret Hamilton interviews talking about The Wizard of oz.)
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A rock’n’roll star from the psychedelic ’60s wakes up at the gates to Nirvana. To advance inside, he will need to wrestle with a few of his own demons and dreams. Jan Koester created this trippy animation as his graduation film from the Konrad Wolf Filmschool in Potsdam, Germany. While it’s reminiscent of The Beatles’ Yellow Submarine, Koester borrows liberally from many sources, including The Wizard of Oz and even Lotte Reiniger’s shadow puppet fantasies. H/T Kuriositas
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This week’s Trillion $ Movie, The Terror of Tiny Town, was billed as Hollywood’s first all-midget, musical Western upon its release in 1938. To this day, it remains the one and only example of the genre. Tiny Town came out under the imprimatur of the low-budget Spectrum Pictures Corporation, but Columbia Pictures subsequently picked up the title to fulfill the production quota it had promised to exhibitors.
Producer Jed Buell bought into the concept, having made Hollywood’s first all-black, feature-length Western, Harlem on the Prairie, in 1937. After deciding to cast only midgets for his next novelty picture, he assembled a troupe of players that reportedly boasted an average height of 3 feet, 8 inches. Most of them had never appeared in a movie before, which is glaringly obvious from their clumsy and stilted line readings. But the experience would serve them well, as a year later, many of these same cast members got the call from MGM to flesh out roles as Munchkins in The Wizard of Oz.
Except for the pint-sized players, Tiny Town covers familiar Western turf. A gang of cattle rustlers, bushwhackers and murderers has pitted ranchers against each other in a Dry Gulch town. But the black-hatted villains don’t reckon on the heroics of Buck Lawson, a working cowpoke who rides around on a Shetland pony, lassos calves and easily saunters into the local saloon by walking under the swinging doors. Buck has a star-crossed love interest, and also inspires palpitations on the part of barroom chanteuse Nita, a sultry heartthrob inspired by Marlene Dietrich.
This isn’t a film that will set the prairie on fire, but it’s certainly distinctive, short (pun intended), moves quickly and has enough comic interludes (including a singalong with a penguin) to justify its marketing as “a rollickin’, rootin’, tootin’, shootin’ drama of the great outdoors.” In a week when the news has been dominated by debate over a politically incorrect, low-budget movie on YouTube, it’s rather apropos to resurrect The Terror of Tiny Town and celebrate the God-given, American freedom to create offensively bad movies. Enjoy and return next Friday for another Trillion $ Movie.
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